France d'Europe Pétrole en gros Peignant, le Cadre d'Image, Mouler, le Miroir, les Barres de Civière

 
 

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Guido Reni

1575-1642 Italian Guido Reni Galleries

ID de tableau::  3412
Baptism of Christ
Le Baptême de Christ
1623 Art History Museum, Vienna
1623 Le Musée dHistoire dArt, Vienne
1575-1642 Italian Guido Reni Galleries

   
 

 

 
   
      

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Juan Fernandez de Navarrete

Spanish painter 1526-1579

ID de tableau::  32869
Baptism of Christ
le Baptême de Christ
mk84 ca.1565 Madrid, Prado Panel 49x37cm
mk84 Californie. 1565 Madrid, le Panneau de Prado 49x37cm
Spanish painter 1526-1579

   
 

 

 
   
      

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Guido Reni

1575-1642 Italian Guido Reni Galleries

ID de tableau::  39619
Baptism of Christ
le Baptême de Christ
mk150 before 1623 Canvas 263.5x186.5cm
mk150 avant 1623 Canevas 263.5x186.5cm
1575-1642 Italian Guido Reni Galleries

   
 

 

 
   
      

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PATENIER, Joachim

Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).

ID de tableau::  39644
Baptism of Christ
le Baptême de Christ
mk150 c.1515 Signed Oak 59.7x76.3cm
mk150 c. 1515 ChêneSigné 59.7x76.3cm
Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).

   
 

 

 
   
      

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CIMA da Conegliano

Italian Painter, ca.1459-1517

ID de tableau::  41204
Baptism of Christ
le Baptême de Christ
mk157 1493-94 Wood 210x350cm
mk157 1493-94 Bois 210x350cm
Italian Painter, ca.1459-1517

   
 

 

 
   
      

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Piero della Francesca

Italian Early Renaissance Painter, ca.1422-1492

ID de tableau::  48631
Baptism of Christ
mk191 Circa 1442 Tempera on the board 167x116cm
Italian Early Renaissance Painter, ca.1422-1492

   
 

 

 
   
      

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Juan Fernandez de Navarrete

Spanish painter 1526-1579

ID de tableau::  52709
Baptism of Christ
c. 1565 Oil on panel, 49 x 37 cm
Spanish painter 1526-1579

   
 

 

 
   
      

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GRECO, El

Greek-born Spanish Mannerist Painter, 1541-1614

ID de tableau::  62347
Baptism of Christ
24 x 18 cm Galleria Estense, Modena The Baptism of Christ is the right panel on the front of the Modena Triptych. The Modena Triptych strikingly illustrates El Greco's transition from post-Byzantine icon painter to European artist of the Latin variety. The portable altarpiece, whose unknown patron perhaps stemmed from a Creto-Venetian family, in its open state shows a total of six scenes: on the front, the central panel bears a rare depiction of the Coronation of the Christian Knight, and on the wings we find the Adoration of the Shepherds on the left and the Baptism of Christ on the right. On the reverse, a View of Mount Sinai with its famous convent of St Catherine is flanked by an Annunciation and an Admonition of Adam and Eve by God the Father. This type of object with its gilded frame elements was common in Cretan workshops of the 16th century, as is its use of wood as a painting support. Author: GRECO, El Title: Baptism of Christ , 1551-1600 , Spanish Form: painting , religious
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      

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GIOTTO di Bondone

Italian Early Renaissance Painter, 1267-1337

ID de tableau::  62987
Baptism of Christ
1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In spite of the high quality details of this scene, the irrational representation of the water in which Christ stands indicates that Giotto was still influenced by medieval iconographic conventions. Artist: GIOTTO di Bondone Painting Title: No. 23 Scenes from the Life of Christ: 7. Baptism of Christ , 1301-1350 Painting Style: Italian , , religious
Italian Early Renaissance Painter, 1267-1337

   
 

 

 
   
      

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GHIRLANDAIO, Domenico

Italian Early Renaissance Painter, 1449-1494

ID de tableau::  63006
Baptism of Christ
1473 Fresco Sant'Andrea a Brozzi, San Donnino The fresco is in the tympanum above the Madonna and Child with Saints. Two angels are kneeling on the left bank of the river Jordan, shown as a little flat stream flowing towards us. They are holding the clothes of the person being baptized, who is clad only in a loincloth. Christ is standing in water up to his ankles. St John the Baptist, in a fur robe, is gathering up his cloak and stepping carefully on to a stone to baptize Christ. This fresco, because of its poorer quality, is frequently attributed to assistants from Ghirlandaio's workshop. It is a loose copy of the famous panel painting which Verrocchio painted with the help of his assistant Leonardo da Vinci. Ghirlandaio added the two praying angels on the right of his composition, and these, together with the corresponding figures on the other side of the river, form a compositional frame for the work.. This assumption that clear symmetrical balance is important shows that the artist was still rather conservative. Artist: GHIRLANDAIO, Domenico Painting Title: Baptism of Christ , 1451-1500 Painting Style: Italian , , religious
Italian Early Renaissance Painter, 1449-1494

   
 

 

 
   
      


ID de tableau::  63092
Baptism of Christ
1502-05 Marble, 282 and 260 cm with bases Baptistry, Florence This group is located over the east entrance of the Baptistry. Artist: SANSOVINO, Andrea Painting Title: Baptism of Christ , 1501-1550 Painting Style: Italian , sculpture Type: religious

   
 

 

 
   
      

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PERUGINO, Pietro

Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).

ID de tableau::  63529
Baptism of Christ
1482 Fresco, 335 x 540 cm Cappella Sistina, Vatican The fresco is from the cycle of the life of Christ in the Sistine Chapel. It was painted by Perugino and Pinturicchio, the latter being probably responsible for the landscape and minor scenes. The paintings were to be read in pairs, one from the left and one from the right. Thus the Baptism of Christ faces the Circumcision of Moses' son by Perugino and Pinturicchio. A comparison of the pairs of scenes shows clearly that the principal concern was to show how the new religion of Christ was deeper and more spiritual than the Jewish religion. Thus the pair of frescoes showing the Baptism and the Circumcision emphasize how baptism - prefigured, according to Augustine and many of the Fathers of Church, by circumcision - represents a "spiritual circumcision."Artist:PERUGINO, Pietro Title: Baptism of Christ Painted in 1451-1500 , Italian - - painting : religious
Italian painter, Umbrian school (b. 1450, Citta della Pieve, d. 1523, Perugia).

   
 

 

 
   
      

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El Greco

Greek-born Spanish Mannerist Painter, 1541-1614

ID de tableau::  64083
baptism of christ
painted c. 1609-14,cossio 162x76 hospital of san juan bautista, toledo
Greek-born Spanish Mannerist Painter, 1541-1614

   
 

 

 
   
      


ID de tableau::  69063
baptism of christ
milan, brera. 248x450cm se

   
 

 

 
   
      

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CORNELIS VAN HAARLEM

Dutch painter (b. 1562, Haarlem, d. 1638,

ID de tableau::  70870
baptism of Christ
Medium Oil on canvas Dimensions 170.5 x 206 cm
Dutch painter (b. 1562, Haarlem, d. 1638,

   
 

 

 
   
      

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Andrea del Verrocchio

Italian Early Renaissance Sculptor, ca.1435-1488

ID de tableau::  72288
Baptism of Christ
from 1470(1470) until 1475(1475) Oil and tempera on panel cjr
Italian Early Renaissance Sculptor, ca.1435-1488

   
 

 

 
   
      

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Francesco Albani

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

ID de tableau::  73796
Baptism of Christ
Baptism of Christ cjr
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

   
 

 

 
   
      

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Andrea del Verrocchio

Italian Early Renaissance Sculptor, ca.1435-1488

ID de tableau::  73914
Baptism of Christ
Date from 1470(1470) until 1475(1475) Medium Oil and tempera on panel Dimensions Width: 152 cm (59.84 in). Height: 180 cm (70.87 in). cyf
Italian Early Renaissance Sculptor, ca.1435-1488

   
 

 

 
   
      

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Andrea del Verrocchio

Italian Early Renaissance Sculptor, ca.1435-1488

ID de tableau::  75117
Baptism of Christ
Date ca. 1475(1475) Medium Oil on panel Dimensions 177 X 151 cm (69.68 X 59.45 in) cyf
Italian Early Renaissance Sculptor, ca.1435-1488

   
 

 

 
   
      

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Joachim Patinir

Flemish Northern Renaissance Painter, ca.1485-1524

ID de tableau::  83478
Baptism of Christ
1510-1515 Medium English: Oil on wood Dimensions 59.7 x 76.3 cm (23.5 x 30 in) cjr
Flemish Northern Renaissance Painter, ca.1485-1524

   
 

 

 
   
      

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Joachim Patinir

Flemish Northern Renaissance Painter, ca.1485-1524

ID de tableau::  84554
Baptism of Christ
Date first half of 16th century Medium Oil on oak Dimensions Height: 59.5 cm (23.4 in). Width: 77 cm (30.3 in). cjr
Flemish Northern Renaissance Painter, ca.1485-1524

   
 

 

 
   
      

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Andrea del Verrocchio

Italian Early Renaissance Sculptor, ca.1435-1488

ID de tableau::  85523
Baptism of Christ
VERROCCHIO, Andrea del The Baptism of Christ Oil on wood, 177 x 151 cm cyf
Italian Early Renaissance Sculptor, ca.1435-1488

   
 

 

 
   
      

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Joachim Patinir

Flemish Northern Renaissance Painter, ca.1485-1524

ID de tableau::  88403
Baptism of Christ
first half of 16th century Medium Oil on oak cyf
Flemish Northern Renaissance Painter, ca.1485-1524

   
 

 

 
   
      

Joachim Patinir
Flemish Northern Renaissance Painter, ca.1485-1524
Baptism of Christ

        
 
   
 

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